{"id":38496,"date":"2026-03-18T08:52:50","date_gmt":"2026-03-18T12:52:50","guid":{"rendered":"https:\/\/blogdalucianaoliveira.com.br\/blog\/?p=38496"},"modified":"2026-03-18T08:52:50","modified_gmt":"2026-03-18T12:52:50","slug":"a-guerra-da-agua-conheca-o-novo-filme-de-edier-william-diretor-de-cinema-rondoniense","status":"publish","type":"post","link":"https:\/\/blogdalucianaoliveira.com.br\/blog\/2026\/03\/18\/a-guerra-da-agua-conheca-o-novo-filme-de-edier-william-diretor-de-cinema-rondoniense\/","title":{"rendered":"A GUERRA DA \u00c1GUA: Conhe\u00e7a o novo filme de \u00c9dier William, diretor de cinema rondoniense"},"content":{"rendered":"<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"38497\" data-permalink=\"https:\/\/blogdalucianaoliveira.com.br\/blog\/2026\/03\/18\/a-guerra-da-agua-conheca-o-novo-filme-de-edier-william-diretor-de-cinema-rondoniense\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?fit=1600%2C670&amp;ssl=1\" data-orig-size=\"1600,670\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"34ed5ed9-41e9-49c9-98fd-4e8c65e71797\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?fit=300%2C126&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?fit=600%2C251&amp;ssl=1\" class=\"aligncenter size-full wp-image-38497\" src=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?resize=600%2C251\" alt=\"\" width=\"600\" height=\"251\" srcset=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?resize=300%2C126&amp;ssl=1 300w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?resize=1024%2C429&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?resize=768%2C322&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?resize=1536%2C643&amp;ssl=1 1536w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?resize=716%2C300&amp;ssl=1 716w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/34ed5ed9-41e9-49c9-98fd-4e8c65e71797.jpeg?w=1200 1200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p class=\"s4\">Ap\u00f3s o reconhecimento expressivo com o curta-metragem \u201cPlaneta Fome\u201d, anima\u00e7\u00e3o dist\u00f3pica amaz\u00f4nica selecionada para mais de 90 festivais de cinema no Brasil e no exterior, o diretor \u00c9dier William apresenta seu novo trabalho, \u201cA Guerra da \u00c1gua\u201d.<!--more--><\/p>\n<p class=\"s4\">O filme \u00e9 uma anima\u00e7\u00e3o 2D ambientada em um futuro p\u00f3s-apocal\u00edptico onde a \u00e1gua se tornou o recurso mais escasso e disputado do planeta. Nesse cen\u00e1rio, a Amaz\u00f4nia surge como o \u00faltimo territ\u00f3rio com reserva h\u00eddrica, tornando-se alvo de controle, explora\u00e7\u00e3o e conflito.<\/p>\n<p class=\"s4\">A narrativa acompanha \u00c1gua, uma jovem que vive em uma col\u00f4nia ilegal na regi\u00e3o da antiga Amaz\u00f4nia e luta pela sobreviv\u00eancia de sua comunidade diante da escassez extrema e da vigil\u00e2ncia de cidades tecnologicamente avan\u00e7adas, que monopolizam os recursos naturais.<\/p>\n<p class=\"s4\">Assista ao trailer: <a href=\"https:\/\/www.youtube.com\/watch?v=uXC0I85v2N0\"><span class=\"s5\">https:\/\/www.youtube.com\/watch?v=uXC0I85v2N0<\/span><\/a><\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"38498\" data-permalink=\"https:\/\/blogdalucianaoliveira.com.br\/blog\/2026\/03\/18\/a-guerra-da-agua-conheca-o-novo-filme-de-edier-william-diretor-de-cinema-rondoniense\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf\/\" data-orig-file=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?fit=1600%2C677&amp;ssl=1\" data-orig-size=\"1600,677\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"4c5ae5a0-eaa3-4367-875a-eb0a7134eebf\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?fit=300%2C127&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?fit=600%2C254&amp;ssl=1\" class=\"aligncenter size-full wp-image-38498\" src=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?resize=600%2C254\" alt=\"\" width=\"600\" height=\"254\" srcset=\"https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?w=1600&amp;ssl=1 1600w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?resize=300%2C127&amp;ssl=1 300w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?resize=1024%2C433&amp;ssl=1 1024w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?resize=768%2C325&amp;ssl=1 768w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?resize=1536%2C650&amp;ssl=1 1536w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?resize=709%2C300&amp;ssl=1 709w, https:\/\/i0.wp.com\/blogdalucianaoliveira.com.br\/blog\/wp-content\/uploads\/2026\/03\/4c5ae5a0-eaa3-4367-875a-eb0a7134eebf.jpeg?w=1200 1200w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/p>\n<p class=\"s4\">\nO projeto foi contemplado no Edital 001\/2024\/SEJUCEL\/SIEC, por meio da Lei Paulo Gustavo, evidenciando a import\u00e2ncia dos investimentos p\u00fablicos no fortalecimento do audiovisual brasileiro, especialmente em regi\u00f5es historicamente sub-representadas, viabilizado a produ\u00e7\u00e3o de obras autorais e promovendo a diversidade est\u00e9tica, descentraliza\u00e7\u00e3o cultural e o desenvolvimento de novas linguagens no cinema nacional.<\/p>\n<p class=\"s4\">Para o diretor, a obra nasce de um atravessamento entre imagina\u00e7\u00e3o e realidade \u201cFazer fic\u00e7\u00e3o cient\u00edfica na Amaz\u00f4nia \u00e9, de certa forma, olhar para o presente com um pouco de deslocamento. A gente cria um futuro dist\u00f3pico, mas ele n\u00e3o est\u00e1 t\u00e3o distante assim. H\u00e1 dois anos, vimos uma seca hist\u00f3rica atingir a Amaz\u00f4nia, rios desaparecerem, comunidades isoladas. \u2018A Guerra da \u00c1gua\u2019 parte desse lugar de entender que o colapso n\u00e3o \u00e9 uma hip\u00f3tese distante, ele j\u00e1 come\u00e7ou. O cinema entra como ferramenta de alerta.\u201d<\/p>\n<p class=\"s4\">Segundo o diretor \u201cA Guerra da \u00c1gua\u201d tensiona as fronteiras entre fantasia e realidade, utilizando a linguagem da anima\u00e7\u00e3o para potencializar uma discuss\u00e3o urgente sobre sustentabilidade, desigualdade e o futuro dos recursos naturais.<\/p>\n<p class=\"s4\">O trailer do filme reafirma o potencial do cinema produzido na regi\u00e3o Norte como espa\u00e7o de inova\u00e7\u00e3o est\u00e9tica e reflex\u00e3o pol\u00edtica, conectando o territ\u00f3rio amaz\u00f4nico a debates globais contempor\u00e2neos.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ap\u00f3s o reconhecimento expressivo com o curta-metragem \u201cPlaneta Fome\u201d, anima\u00e7\u00e3o dist\u00f3pica amaz\u00f4nica selecionada para mais de 90 festivais de cinema no Brasil e no exterior, o diretor \u00c9dier William apresenta seu novo trabalho, \u201cA Guerra da \u00c1gua\u201d.<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[1],"tags":[1464,1636,253],"class_list":["post-38496","post","type-post","status-publish","format-standard","hentry","category-notas","tag-animacao","tag-edier","tag-filme"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p7wKYW-a0U","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/posts\/38496","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/comments?post=38496"}],"version-history":[{"count":1,"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/posts\/38496\/revisions"}],"predecessor-version":[{"id":38499,"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/posts\/38496\/revisions\/38499"}],"wp:attachment":[{"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/media?parent=38496"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/categories?post=38496"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blogdalucianaoliveira.com.br\/blog\/wp-json\/wp\/v2\/tags?post=38496"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}